Rocky Votolato (+ full band) & Dave Hause

KEXP & The Crocodile Present:

Rocky Votolato (+ full band) & Dave Hause

Chris Farren

Sat, August 29, 2015

8:00 pm

The Crocodile

Seattle, WA

$15 Adv.

This event is all ages

Rocky Votolato
Rocky Votolato
In 2006 Seattle's Rocky Votolato released a record of stripped down, country-influenced folk called Makers on indie stalwart Barsuk Records. The album went on to be lauded by both the main stream and indie press, with E! calling it "simply beautiful" and No Depression declaring it "surpassingly great." In the five years since the records release Votolato has toured the country nearly endlessly, playing everything from rock clubs to living rooms. Along the way he released two more albums (2007's The Brag & Cuss and 2011's True Devotion,) both also critically praised and well received by a steadily growing group of dedicated fans.

Television Of Saints, Votolato's newest effort, wears the tracks of those endless nights on its sleeve – yet communicates that hung-over wisdom with a newfound lightness and maturity. During his time on the road Votolato has developed a loyal, extremely devoted core group of fans across the US and Europe that love him for the personal impact his music has had on their lives. Building off of and inspired by that connection, with this record Votolato has created something real, classic, and timeless. Hard won truths resonate underneath the concrete images and visual color splashed throughout the record.

Marking Votolato's first self-released record, much of Television Of Saints was funded by a generous outpouring of love and support from his fans via Kickstarter. His relationship to the people he is making music for has never been so direct.

Teaming up with long time friend and producer Casey Foubert (Sufjan Stevens, Pedro The Lion) and with the help of an outstanding cast of musicians, including his brothers Sonny (Slender Means) and Cody Votolato (The Blood Brothers, Telekinesis), Television Of Saints delivers on the promise hinted at with Makers. Lean and to the point, Television Of Saints is both Votolato's most intimate and most immediately accessible work to date.
Dave Hause & The Mermaid
Dave Hause & The Mermaid
"The way we learned to live is fading fast/I guess we never bargained for a crash."

For Dave Hause the American dream is a broken promise, a childhood ideal that has been shattered by the reality of the past two decades. On the musician's second solo album, Devour, Hause scours the foundation of that crumbled dream in an attempt to discover how everything we believed growing up could have turned out so differently. The album, initially written to become the third record from Hause's rock band The Loved Ones, follows his 2011 solo debut Resolutions, a disc that allowed the musician to understand his potential as his own artist.

As Hause, a Philadelphia native, began penning new music for a new album from The Loved Ones, it became clear that the group, who had taken a break after their second album, had stalled. These songs, however, which showcased a clear thematic journey, were meant to be vocalized by Hause and over the past few years he transformed them into Devour. Hause solidified the album's sequence before even going into the studio, aiming to craft a narrative arc that drove the album from its dark, heavy first half into a lighter, more hopeful tone. A thematic line of melody runs through the songs, reflecting the overarching ideas in the music itself. The disc explores the heartbreak of shattered childhood promises of a better world and concludes with optimistic hope.

"Devour is about that inherent American appetite," Hause says. "It's in all the songs in some degree. There's a reason why Tony Soprano became such a huge American icon – he's this guy with this insane appetite for women and food and power. I think for the American public to latch onto a figure like that says something. Some of the positive things about America come from that as well, but there's a real sense of reckoning that comes from devouring everything in front of you. Is it ever enough?"

The rock songs, tinged with folk and punk tones, are firmly rooted in Hause's own upbringing and the sensibility that comes from growing up in a blue collar neighborhood driven by the lingering anticipation of upward mobility. In the lyrics, the fulcrum around which the album revolves, Hause grapples with this working class ideal and the fact that America's recent shifts have caused it to no longer fit. From "The Great Depression," which centers on the unfulfilled promises laid out in the Reagan-era '80s, to the more specific-minded relationships of "Father's Son," Devour comes to terms with the loss of youthful innocence in a rapidly evolving world.

"I wanted to shine a light back on what was going on," Hause says. "It was a topic that was close to me and I wanted to write about it. In the end, it leaves you with the idea that if you have music and love you may be able to save yourself. It's going to be alright. That simple John Lennon concept of all you need is love. That's how I wrote myself out of the dark and the music begs the listener to come take that risk as well."

Once Hause had the track sequence and overall narrative in place he enlisted producer Andrew Alekel along with musician and co-producer Mitchell Townsend. The producers helped Hause collect the right musicians to build the songs in the best way possible, including My Morning Jacket keyboardist Bo Koster, Social Distortion drummer David Hidalgo Jr. and bassist Bob Thomson. Frightened Rabbit's Scott Hutchison, Alkaline Trio's Matt Skiba and The Watson Twins also appear on several tracks. Hause and his crew recorded the album over several weeks from mid-February to mid-March at Grandmaster Recorders LTD. in Hollywood, CA, focusing on giving each song the right tone while maintaining an overall musical aesthetic that helps tie the lyrical themes together.

"It was this group effort," Hause says. "A lot of trust went into letting Andrew and Mitch be the architects of the record. I trusted that we would get in there and they would know who was right for the music. They wanted to bring these people together in this great studio to get a record that was greater than the sum of its parts. I'm glad I trusted them because it was great to work with everyone there."

For the musician, who has toured with Social Distortion, The Gaslight Anthem, Bouncing Souls and Chuck Ragan since launching his solo career, Devour is a cathartic release, both sonically and lyrically. Hause recently relocated to California and is committed to pursing the music he feels best reflects him individually. The journey on the album, the search for the light at the end of the tunnel, mirrors his own trek. The record closes with the delicate introspection of "Benediction," a song that pulls lyrical lines from all the tracks that precede it. After all the ruined promises and the culminating disappointments of the world, Hause ends the album with the sentiment of possibility. "It's love my friend in the end that can save us tonight," he sings. "So are you in?"
Chris Farren
Chris Farren
Chris Farren will be the first to tell you he's a "musician's musician" although he's not really sure what that means. Maybe it means that the Florida-based musician has been grinding it out for over a decade, making endless friends along the way. The charismatic frontman of the Naples band Fake Problems has toured with everyone from Against Me! to The Gaslight Anthem to Say Anything.

While not touring and recording with Fake Problems, Farren has been branching out and dipping his toes into other waters. He recently unveiled his two-man project with Bomb the Music Industry!'s Jeff Rosenstock called Antarctigo Vespucci, a refreshingly unpretentious pop machine. He's also been stripping things down and experimenting with solo material. Farren recently released a split EP with Grey Gordon, Ducks Fly Together. Without the comfort of a backing band, the self-made songwriter is seeing how far he can get on his own, with nothing but a ton of inspiration and a good reputation. After all, Chris Farren is a musician's musician. Ask anyone, just not him.
Venue Information:
The Crocodile
2200 2nd Ave
Seattle, WA, 98121
http://www.thecrocodile.com/